Ajam on F   Ajam on B

Bayati on D Nahawand on G

Maqam Bayati starts with a Bayati tetrachord on the first note, and a Nahawand tetrachord on the 4th note (the dominant). The secondary ajnas are the Ajam trichord on the 3rd note, and another Ajam trichord on the 6th note. These are often used in modulation.

Hear this Maqam:

Recording Samples:

		Samai Ibrahim Al Aryan
		Samai Slah El Manaa
		Samai Iskandar Shalfun
		Samai Bayati Aziz Dede
		Doulab Bayati Akoun Saeed
		Doulab Bayati
		Doulab Bayati
		Doulab Bayati
		Doulab Bayati
		Doulab Bayati
		Doulab Bayati

Bayati on D Hijaz on G

Maqam Bayati Shuri is a very popular modulation from maqam Bayati.

Hear this Maqam:

Recording Samples:

		Dawr Dayyaat Mustaqbal Hayati
		Muwashah Hibbi Daani Lilwisal
		Taqsim Qanun Imad Morqos
		Taqsim Qanun Abraham Salman
		Taqsim Qanun Bayati Shuri

Bayati on D Rast on G

Maqam Husseini is a very popular modulation from maqam Bayati.

Hear this Maqam:

Recording Samples:

		Samai Husseini Tatyos
		Taqsim Qanun Goksel Kartal